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Merry Christmas!

Journal Entry: Wed Dec 23, 2009, 8:06 PM


I'm not really into the Christmas spirit this year. Not sure why but no need to pass that along. My hope is that everyone will have a great and wondrous Christmas with loved ones. There has been great art around this time of year aimed towards the holidays and I'm grateful for those who have done some tasteful art. The celebratory part of the holiday is definitely for kids and I'm not a fan of people who seem to get a kick out of demeaning the images we give to kids of Christmas so kudos to everyone who did things properly.

This is also a time I share with many Christians to celebrate the birth of Christ (yes, we all know according to the stars and such from the time he was actually born in January or February). For many of my faith it was the start of it. I have to give thanks to God for the gift he's given me and made me work with which allowed me to meet so many great people this past year and made me do things I wouldn't normally do otherwise. Believers, Non Believers, other faiths I love you all the same.

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NEW YOUTUBE VIDEO! YAY!

My Christmas gift to everyone. Believe me it wasn't an easy one to do either. I created this one in Premiere which offered many headaches through the render process. After initially uploading it good old WMG decided I can't use a Fear Factory song I edited this video around. Well, all is said and done and the video is good to go now! It's me drawing World War Hulk for the upcoming Marvel 70th anniversary card set from Rittenhouse Archives ([link]). Watch it and enjoy!

[link]

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I've been pretty busy with this card set and am thankful one card company didn't follow through and send me sketch cards for another Licensed set. I want to do commissions soon but I'm afraid it would take too much time away from this set as I'm already organizing two projects with other sketch card artists. Soon I'll be getting my sketchbook/artbook organized (I hear some saying "Finally!" out there). I just want to make sure it's perfect and unlike anything you've seen from a sketchbook before.

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2010 Convention appearances are still developing but I am definitely aiming for MegaCon in Orlando Florida and hoping to get in on Heroes Con. I may share a table at the Motor City con with artist Jon Malin and I will try my hardest to make sdcc since someone was kind enough to offer up their guest pass to me. I will again be hitting Mid Ohio Con because that sucker just gets bigger and better every year (and I am hoping that Sadlittles.com will set up there so me and other sadlittle artists can really blow the place up!). I'd like to hit bigger cons but money is, as always, an issue.

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Thanks everyone and have a safe and Merry Christmas!

Skin by ~Shinji-bpm
  • Mood: Caring
  • Listening to: my computer going "rrrrrrrrrrrrrrrr"
  • Reading: the letters as I type
  • Watching: my weight
  • Playing: peek a boo with myself
  • Eating: nada
  • Drinking: pepsi

Truths about the Sketch Card industry (continual)

Tue Dec 15, 2009, 2:53 PM
Some things about the sketch card industry I want to pass along from myself and various pros in the industry.

-First why do you want in? No one wants in because of a lifelong dream. You can draw comic and movie cards on your own. Can't be the money because it's really not the best. So ask yourself, why? Be honest. I have my reason but that's for me.

-Unless your really good friends with someone please don't ask pros how to contact companies or to refer you. It's unprofessional and risky for the pro. There is a difference between networking (i.e. getting your work out there) and bugging (asking people to get your work out there) They could lose work over giving out info and if they refer you and you leave a bad taste in a companies mouth it goes back to the person who refered you. Your best bet is to research using google and write the companies themselves. Even better is going to a convention they will be at. Rarely there will be open calls so keep an eye out. A pro will refer you if they like your work and your attitude but never because you ask.

-The money isn't here. You must do a lot of work for a very little amount of money that will come months after you finish work. Not to mention companies are asking for more and more in the cards such as details and color. You can't survive on this pay. Most have day jobs and do these, others shuffle it into their other freelance work. A lot of people quit this industry after one set because of low pay. Some don't even try to get into companies because it's too low for their skillset. So don't go in thinking this will be your career because no one has yet. You get paid the same for less work at McDonalds.

-Do you really think your work is fit for the masses? Because what you do now is representative of your skillset and what people will think of your art. This may or may not hinder you for future work.

-If you submit don't get mad if you get no reply. This happens to many and your not special. You get mad and people want to avoid you. Continue submitting. These companies get hundreds of submissions a day. It took me 6 months with one place and I didn't hear back from another place for a year.

-Don't believe the hype. No one company is worse then the other. The reason someone hates a company they worked for is most likely due to themselves.

-Take into consideration that one reason you may not get accepted is because your art is just not good enough. Some of us think our art is tops because friends and family feed our ego but give it to an industry pro or an artist you admire and don't be mad or surprised if they rip you a new one. Check this journal by Karen K as well: [link]

-Draw draw draw, submit submit submit

-Let your work speak for you. In some instances people are asked to come on a set.

-I do refer people to companies I know BUT don't ask me to refer you. I refer based on merit and what I think looks good. If your good and I know you want in I can try to hook you up with a company. Just don't ask me for it.

-In general don't ask any pro about anything related to the sketch card industry. It gets tiring after a while of receiving these and telling everyone what I am telling you here.

-Even pros still have to work to get on sets for the most part. I'm still having to prove myself. Some get on one or two sets and never get on a set again. It's not a sure thing you'll get constant work after one set.

This industry is a high stress low payoff industry so you better really want it before you get slapped with reality. I know I wasn't ready. Sorry to be curt but I hope you find this helpful. This will probably get a constant update as new ideas come to me from pros in the industry. Feel free to ask questions not realted to contacts or referring and either I or another person can hopefully answer them for you.

-Geo

  • Mood: Tired
  • Listening to: Ian Walker
  • Reading: zelch
  • Watching: Ian Walker
  • Playing: eh
  • Eating: nada
  • Drinking: pepsi

Emergency Artist Helpage needed!

Sun Dec 13, 2009, 10:24 AM
My Bud, Jeremy Treece :iconcrisishour: is holding a 24 hour sketchathon today at 12p pst and 3 pm est here: [link]

He'll be doing 5 dollar sketchcards. The money will be used for supplies but more importantly it'll be used for his family. He has two children and it'd be cool for them to have a nice Christmas.

The restrictions are headshots, no limit on the cards, a spot of color possibly but for the most part black and white (and well worth it!). His art can be seen here: :iconcrisishour:

5 dollars a sketchcard, 2 dollars shipping and handling and a piece of online and sketch card history as a 24 hour marathon commission run has never been done before as far as I know.

DO IT NOW! It's only 5 bucks for art from someone who's worked on Marvel Comics properties and is considered a Lucasfilm artist from his work on Star Wars properties.

Thanks all! and Murry Chrissymas!

-Geo

  • Mood: Tired
  • Listening to: Jeremy's pre recorded cast on character design
  • Reading: zelch
  • Watching: Jeremy's pre recorded cast
  • Playing: eh
  • Eating: nada
  • Drinking: pepsi

Woops

Fri Dec 11, 2009, 10:34 AM
Found out yesterday my deadline was a month later then I had thought. This rocks. Not that'll I'll slack now but I'd like a couple days to get some other things drawn. Rittenhouse rocks for artists, don't let anyone tell you different. They listened and adjusted.
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Soon I'll have some info on a card company who will be looking for artists. I'm going to tell you now that if your stuff isn't up to their style or even solid in and of itself I will not be recommending you. I'm not a big fan of the sketch card businesses letting anyone play mentality that upper deck and others utilize. It's corruptive to the mentality of the artist who still needs work and it's corruptive to the end customer.
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There's a plan I came up with I will be trying to implement with fellow professional sketch card artists that should be interesting from a collector's standpoint. I'm kinda of excited but what will eventually happen has yet to be seen.

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Have a Murry Chrissymiss everybody!

-Geo

  • Mood: Tired
  • Listening to: zip
  • Reading: zelch
  • Watching: nada
  • Playing: eh
  • Eating: nada
  • Drinking: pepsi

After After...

Thu Dec 3, 2009, 12:37 AM
So yeah I'm kind of floating on cloud 9 after seeing one of my cards for Marvel 70th anniversary card set being featured in the promo from Rittenhouse Archives. I am trying really hard to pick up my game. I'm in a competition with myself to get better. Although I am having a ball doing these sketch cards expect some bigger pieces from me soon. I really have to ramp up and get sequential art done and some bigger pieces.

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After about 20 years of pleading and begging (ok maybe 6 months) I finally got :iconwrtnpromise: to post artwork. The first time I saw her art I was pretty floored. Her approach is to do work she is inspired to do and thus comes across raw. Check her stuff out and add her, she's a pretty cool person :)

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It's odd to say but I am pretty proud of a lot of my artist friends. I've gotten to see a few push the limits on what they were used to to grow and develop more as artists. My favorite thing to see is growth in artists. It breaks my heart when someone gets disenchanted after a system accepts them and then spits them out. It's a heavy burden on a person, like being kicked in the teeth and being told they're worthless.

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If 4 weeks go by and no post from me I probably had a heart attack. I was kind of amazed that my heart rate was so high today. From two different machines. One was actually at a museum's science wing and kind of was embarrassing (it had an audible heart beat and when I touched it it sounded like a jet engine..125 bpm and I felt calm).

What's odd is I am not really overweight and I am almost always in a great mood. Might have been that amp :)

Nothing I am too concerned about at this point but I wish I could afford a doctor for regular visits. I'd like to get it checked on. It's greedy of me but I hope the health care reform bill passes. I need it.

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Take care!

-Geo

  • Mood: Tired
  • Listening to: Michael Golden, cause he da man!
  • Reading: nada
  • Watching: myself draw
  • Playing: eh
  • Eating: nada
  • Drinking: pepsi

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